7.25.2010 - Brandi Carlile @ The Kent Stage

The Brandi Carlile show in Kent was hands-down one of the best we've ever seen.  The Kent Stage is an old converted movie theater - really a pretty small, intimate place for a seated show.  This show had been sold out for a few weeks, and even a capacity crowd of 600 felt pretty minimal.

We got there a few songs into the opener, Good Old War's set.  These three guys played some good music!  Their vocal harmonies are really great.  I'd call their sound something like folky/country/rock.  I saw quite a few people sneak out in between sets to grab their CD, so we weren't the only ones who enjoyed them.  Really a great band to get the audience prepped for Brandi's set.

Then a very special treat - Brandi opened the show with "Again Today", a hidden track from her 2007 album "The Story" (and the song behind the name of her unofficial fan club - you probably remember the mention of ATers in the previous post).  In the 15+ Brandi Carlile shows we've been to, it's one of the few songs we haven't heard live - and it was perfect (even given the fact that I had to block out the girl next to me singing every word - good for you, you know the song, but I didn't pay to hear you sing it!).  Brandi then mentioned that she spent extra time putting together the set list since they had been to Kent just over a year prior, and didn't want to play all the same songs.  She also apologized if she was wearing the same outfit, since she couldn't find any video on YouTube to verify.

They also graced the audience with the completely unplugged version of "Dying Day", which is one of my personal favorites, and the outdoor setting for the Symphony show the night before didn't lend itself acoustically to performing that song.  The band also did "Shadow on the Wall", which is a rarity as well.  Somewhere in the middle of she show, she also told the story about how she was a superstar in Portugal for a while because "The Story" was the music in a beer commercial.  She was playing a giant festival, and one guy held up a sign stating "The story of my life is I make you baby".  Hilarious!

And if all that weren't enough, we also had the pleasure of hearing "Way to You", from the "XOBC" EP.  The band doesn't play these songs live very often, and it is one of my favorites.  We also got to hear the twins, Tim and Phil Hanseroth cover Simon and Garfunkle's "Sound of Silence".  Their harmonies in that song are impressive - and it was amusing to watch them try to be serious through the whole song while singing so close to each other.

After that, the mad rush of people toward the stage began - I'm honestly surprised most people waited that long!  Throughout the whole show, there was more of a conversational atmosphere in the theater - people really just saying whatever they thought of loudly from their seats.  Certainly not 100% the rowdy bar crowd, but not the usual super-subdued theater crowd either.  Could have something to do with the fact that it felt like The Kent Stage had no air conditioning...it was hot and stifling in there the entire time - thank goodness for a surprisingly cool and refreshing Midwestern evening outside!

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Saturday, July 31, 2010 Posted in | , , | 0 Comments »

7.24.2010 - Brandi Carlile and The Indianapolis Symphony @ Symphony on the Prairie

The Saturday night show for Brandi Carlile and the Indianapolis Symphony Orchaestra might have been one of our biggest highlights of the year. The first time Erica and I saw Brandi was when she played with the Louisville Orchaestra and it was simply amazing. And Saturday night, amidst the heat and threat of oncoming storms, Brandi did not disappoint us.



This was Brandi’s second night of a 2 night engagement with the ISO at Conner Prairie. The first evening included a longer set and also an appearance by Tiffany Carlile (Brandi’s sister) to sing “Calling All Angels.” Also, Amy Ray from the Indigo Girls came down from Chicago to catch the Friday night show and was gracious to a few fans who recognized her.

But I digress…for anyone who hasn’t been to Symphony on the Prairie before, what you must realize is that usually this is an event where people bring their kids, their wine, and their lawn chairs for a relaxing evening that just so happens to have music in the background. With this in mind, I’m not quite sure the usual symphony crowd had any clue about the sheer madness that can ensue at a BC show. It was fantastic.

The symphony took the stage and started playing “Sixty Years On,” an Elton John/Bernie Taupin classic that originally featured a brilliant arrangement by Paul Buckmaster. Since Elton is one of Brandi’s biggest influences, this was a perfect opener for this show and Brandi’s strong, emotional vocals executed the song perfectly.


Brandi then brought out the rest of the band and launched into “Looking Out,” which included some orchaestra arrangements. It was so great to hear some of the songs from the “Give Up the Ghost” album with the symphony flare. Of course, Brandi and the band had the crowd (and even one of the guys in the violin section) dancing when they began “Closer To You,” and then the Beatles’ “I’ve Just Seen a Face.”


Quick note: at the Symphony on the Prairie shows there is a little concrete section right in front of the stage, where normally people don’t really stand because the sound isn’t so great. Of course, with Brandi fans, the closer you can get, the better is normally their way of doing things. So, while we stood in the front for a while to snag some highly contraband pictures, we enjoyed being away from the stage to hear the fullness of the band and the orchaestra.


“I Will” was a highlight for us with the symphony, simply because the song has such powerful lyrics and it just worked so perfectly with the full orchaestra. Brandi and the band played “Caroline,” which we have only seen one or two times, since the piano arrangement was played by Elton John on the album and the only person who has come close to nailing it live was Vienna Teng on the Cayamo cruise. But the band did it sans piano and I was certain that Phil (Hanseroth, the bass player) was going to smash the guitar as he was playing it because he plays with so much energy!


When the band began “Dreams,” the group of fans called the “ATers” (for AgainToday.com, the unofficial fan community) treated Brandi and the entire crowd to a little choreography they came up with for the song.


One of my favorite moments of the symphony shows has been “Turpentine.” At this point, Brandi tells the audience that they are going to split them up and teach everyone the 3 part harmony in one of the bridges of the song. She has Tim Hanseroth (guitar player extrodinare) teach a part, Brandi teaches another, and Phil teaches the crowd the high part of the harmony, which always gets a laugh. The crowd then sings together and it is phenomenal…and as if it can’t get any better, the build up to the chorus with the symphony playing gives me chills every time. It is amazing. Brandi even said that when she gets to do symphony shows that she sometimes forgets the words because she just loves to listen and forgets that she has to sing. We could understand why…


“The Story,” my personal favorite Brandi song, again, sounded phenomenal paired with the symphony arrangement. Since the threat of the oncoming storm was among us, the set was shortened up with no “fake encore,” as Brandi calls it. The band launched straight into “Jackson/Folsom Prison Blues” and had the crowd dancing away. At one point, I looked over to see an elderly couple dancing to the song and it warmed my heart.


Perhaps the most phenomenal part of the show and the part I was looking forward to the most was “Pride and Joy.” On “Give Up the Ghost,” this song is powerful and is a bit “rock-opera”-ish. It’s dramatic and emotional…it needs a symphony to feel complete. And the ISO played it brilliantly.


To end the show, Brandi told the crowd that she knew this was a kid-friendly place, so she was trying to not swear. She wanted to end the show with a kids song and played “Somewhere Over the Rainbow.” It was like the perfect ending to a perfect movie.


This symphony show did not disappoint us at all and I think a lot of people that were not familiar with Brandi before the show, are now interested in her music and what she offers to the music world.

Note: Perhaps the only thing missing from the show was “Cello-tallica,” a cello solo by Josh Neuman, but we would be treated to this on the next evening at the Kent show (that review is up next.)

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Wednesday, July 28, 2010 Posted in | , , | 1 Comments »

7.23.2010 - Jack Johnson @ Verizon Wireless

Friday night’s Jack Johnson show was our 3rd in a series of Verizon Wireless Amphitheater shows. It was another hot evening where you felt that no matter where you stood or sat or breathed, you were sticking to something.



First up was G-Love, with a simple acoustic-bluesy type set accompanied by the harmonica. G-Love was a great pick as an opener with his laid back sound and approach. We have seen G-Love once before, as an opener for Jason Mraz…so for Jack Johnson to pick this guy seems about right on par with what seems to be a new genre of music: the laidback sound. However, G-Love accomplished his mission and got the crowd in the perfect state of energy for Johnson’s set.

First, let’s talk about stage production…I loved it. The main component of the stage was a giant LCD screen that concaved around the back portion of the stage. During various songs, the screen would show the artwork from Johnson’s latest album, “To the Sea,” and included live video feed with black and white effects similar to the effects seen on the live DVD “En Concert.” It was simple, yet artistic, and was perfect for Johnson’s show.

It was great to see Jack play the electric guitar for a number of the songs on the setlist, especially since he was so widely known for his acoustic abilities. His last couple of albums have included more electric playing, so it’s great to see him play it live.



Now, I have to admit that I was a little late jumping on the Jack Johnson train. I bought the “In Between Dreams” album while in college and nearly wore it out. That almost tropic sound brought me lots of warmth or at least the hope of warmth while waiting out the Minnesota winters. Since then, I have widened my knowledge of his music. I love how it has evolved, even in the slightest of ways…from just full on mellow sounds to some of the heavier stuff on the new album, “To the Sea.”

Johnson didn’t disappoint the crowd and seemed to work the perfect balance of playing familiar tunes and new material. For instance, he played “Sitting, Waiting, Wishing” with a verse from “Just What I Needed” from the Cars and then launched into the title song “To the Sea.” He played favorites such as “Banana Pancakes,” “Go On,” “Upside Down,” and “Bubble Toes.” He even covered Bob Marley with a verse from “Mellow Mood,” and “The Joker,” by Steve Miller.


A highlight from the show was Johnson’s collaborative efforts with ALO, G-Love, and Paula Fuga. My personal favorites were “Country Road” with Fuga and “Better Together” at the end of the show.


All in all, the show was simple and well done. There was a great vibe among the crowd and the music was perfect.


It should also be noted that on our way into the show, we were handed bio-degradable recycling bags to put our waste in. Also, 100% of the profit from Jack Johnson’s tour are going to various charities. These facts, along with a solid show, have re-ignited my interest in Jack Johnson and his music. My first thoughts when I heard his music were “What a cool guy...” and I found myself revisiting that thought as we left the show that night.

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7.22.2010 - Chicago and The Doobie Brothers @ Verizon Wireless

Chicago and The Doobie Brothers is another one of those shows that wasn't on our radar until I got a "free" lawn ticket for giving blood at work.  I say "free" because I still had to pay facility fees of $7 at the gate, which is annoying, but still cheap.  Since it had poured down rain earlier in the day, the lawn was pretty mushy, so we upgraded to pavillion seats.

Certainly a different crowd than we are used to seeing - more middle-aged and up people attending this one - not surprising considering the Doobies and Chicago have been rocking for 4 decades or so now.  Nonetheless, our seats happened to magically be right in front of the row of drunken frat-boys who wanted everyone in the ampitheater to hear their ridiculous conversations.  About two songs into the set, we went to grab a drink and then sat in the mostly empty section of seats next to us to avoid dealing with them all night.  People like this are the bane of our concert-going existence...but I digress.

Before this show, I honestly couldn't have named a single song by The Doobie Brothers.  As they kicked off the show, I heard a few familiar ones, like "Black Water".  They got the crowd into their music, and there was a large contingent of 40-something men rocking out to them, giant cans of beer raised up over theirs heads in full worship mode.

Then it was time for Chicago to take the stage.  The first thing we noticed about them is how they all had on their designer-looking jeans and tight t-shirts - it looked like we had walked into a convention of youth pastors.  Not helping the matter any, some of them including the lead singer, who I'll refer to as not-Peter Cetera, were using headset mics instead of actual mics on floor stands.  It just made things seem cheesy and reminiscent of a musical instead of a rock show.  And I think the lead singer was attempting his best Peter Cetera imitation, instead of using his natural singing voice.  I have also never seen another band, large or small, plug themselves and a new album as much as Chicago did on

They did some of the big (well, what I consider big) Chicago hits from the past, like a medly of "Hard Habit to Break" and "You're the Inspiration", and nearer the end of their set"Saturday in the Park", "Hard to Say I'm Sorry".  Then The Doobie Brothers joined Chicago back onstage for the encore portion of the show, where the bands played each other's songs.  They played Chicago's "I Just Wanna Be Free", The Doobies' "Takin' It To the Streets" which included some weird little choreographed moves.  "Does Anybody Really Know What Time It Is" by Chicago, and "Listen to the Music" by The Doobies rounded out the show.  The encore was by far my favorite part - most people knew all of the songs, were singing along, and the bands both had great energy.

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7.20.2010 - Lilith Fair @ Verizon Wireless

Lilith Fair was a late addition to the Indy Live Music concert schedule.  The deciding factor was the offer of free lawn tickets from the Hamilton Town Center Verizon Wireless store in exchange for an old cell phone for their HopeLine project, which provides the phones to victims of domestic violence.  It's a worthy cause, and it is hard to pass up free tickets!

Lilith started around 2:30, but unfortunatly Mel and I had to put in full days at the 9 - 5 first, so we arrived around 6:00.  In the pouring rain - not exactly ideal for lawn seating, eh?  Since the economy is such that Verizon has been struggling to fill seats at concerts this year, they've been offering $10 upgrades to pavillion seats at a lot of shows.  We took this option to escape the rain, and were soon shedding our fashion-forward blue plastic ponchos and settling into our seats at the back of the pavillion.  While we were finding our seats, we caught the very end of Suzanne Vega's set and heard her sing her hit "Tom's Diner".

After a quick gear change on stage, it was time for Courtyard Hounds to rock Lilith.  If you haven't given this duo a listen yet, I recommend you do so.  Don't worry if you didn't like The Dixie Chicks - Courtyard Hounds are a TON better, and have a different sound.  Some songs are more rock, some evoke the country/bluegrass feel with a fiddle and banjo to the set, but they are all good and worthy of a listen.  There was no mention of The Dixie Chicks until Mary J Blige accidentally made reference to the old name during her set.
Next up was Miranda Lambert.  She has the most country sound of the acts we saw on the Main Stage - a little more mainstream-y radio-ready country.  You can tell that she has a great time onstage - dancing, playfully attacking bandmates (Mel's quote "She's crazy!"), spinning around with arms wide open, telling stories about how she's a partier but knows God is listening when she lays her head down at night.  Just a fun, high energy show.  As a side note, her fiance, Blake Shelton, was hanging out on the side of the stage watching her entire performance.  After the show ended, while the crew was trying to pack up equipment, they were on the side of the stage playfully flirting/making-out.  So there's your report on what's going on with one of country music's hottest couples (are they?  I don't know...), if you're into that sort of thing.


Mary J. Blige took the stage next, and blew everyone away with her voice.  She did covers of both U2's "One", and Led Zepplin's "Stairway to Heaven", which she has recorded and put out as a single.  She talked about how amazing it was that one of the biggest rock bands of all time allowed her to use their song.  We expected her to have a bit of a diva attitude, but she instead came off as very connected to the messages in her music, and the energy of the audience.  More people were on their feet with hands in the air throughout her set than any other.  She did a fantastic job of drawing the audience in, and truely expressing her gratitude to everyone for coming, and for Sarah and all of the other female artists for making Lilith possible.

And last but certainly not least, it was time for Sarah McLachlan to take the front-and-center spot in front of a very expectant audience.  She wasted no tim taking a seat at her grand piano and performing a flawless version of "Angel".  Then she stepped up to the front of the stage to sing "Building a Mystery", and her new single "Loving You is Easy".  One of my personal favorites, "Stupid" was up next, followed by "World on Fire", "I Will Remember You", another new song that I didn't catch the name of, "Adia", "Out of Tune", "Sweet Surrender", and "Possession".  She then thanked everyone, and left the stage, but no one moved in anticipation of an encore.  Sarah didn't disappoint - she came back out to sing "Ice Cream", then brought all of the ladies who performed on all the three stages to sing their own version of "Because the Night" by the Patty Smith Group.  It was a great ending to a great evening.


Just a few observations about Lilith in general - this festival was WAY under-promoted.  It took until the Thursday before Lilith for radio and television commercials to pop up.  Several shows across the country had to be cancelled due to low ticket sales.  I think this could have been a cash cow if it had been properly marketed, billed as an epic return of something so different from all other music festivals in that it was a celebration of women in music.  We had a great time seeing such powerful female artists all in one place over just a few hours.  There were plenty of vendors and sponsors set up in tents giving away freebies and conducting contests for festival-goers.  Lilith Fair was an all-around great way to spend a day, and I hope it can find the proper support and marketing to continue to be a platform for strong female artists for years to come.  I know we'd certainly be there cheering them on.

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Wednesday, July 21, 2010 Posted in | , , , , , , , | 0 Comments »

7.17.10 - Civil Twilight and The Paper Tongues @ Radio Radio

Saturday night's show at Radio Radio with Civil Twilight and the Paper Tongues was a high energy show filled with new music for us and a crowd that was excited to see a show from a couple of newer acts.

The Paper Tongues started off the show. The band is comprised of 7 members, which is a lot of people to fit onto the tiny stage of Radio Radio, but they made it work well. The band hails from Charlotte, North Carolina and finds a way to blend hip-hop, electronica, and rock. And of course, they have a massive amount of energy that just radiates throughout the crowd. Within the first song, the lead singer, Aswan North (which is probably the coolest name for any lead singer) jumped onto the floor and started shaking hands with people in the audience. It is that approachability and willingness to be a part of the crowd that hears their music that will help them gain success and fans in the future. Also, North has an epic voice, with some influence of perhaps Steve Perry.

Some highlights of the set include songs "Trinity," "Ride To California," and "Everybody." Those were the songs that stuck out to me the most. The music is positive I feel that each band member brings something unique to the sound of the band and they all are very good performers. I enjoyed the positive messages of their songs...it's not cheesy, and it's not overtly Christian in nature, but it just brings the positivity that our world needs. I highly recommend their music

In a completely different direction, the three piece band Civil Twilight came onstage. The 3 band members are brothers Steven and Andrew McKellar and Richard Wouters; all come from Cape Town, South Africa. They recently re-released the album they put out independently. What I enjoyed about this band is that they have a great dramatic sound...this is the music I craved to hear when I lived in a valley in Colorado, surrounded by mountains. They sound similar to Muse and constantly seem to be compared to an early U2 or Coldplay. While I somewhat agree with those comparisons, I think Civil Twilight's music is a bit more progressive.

They opened with "Something She Said," and played most of the songs from their self titled album. One of the songs I enjoyed the most was a song called "Human," which is just well-written and emotional and just a beautiful expression of that thing we all are. Their songs have been featured on shows such as One Tree Hill, Harper's Island, Terminator: The Sarah Connor Chronicles, and House, M.D. One song in particular that I really enjoyed was called "Save Yourself." They did a cover of "Teardrops," by Massive Attack, which was excellent, as well. Overall, the band put on a really good show and made us more interested in their music.

For our first time seeing both of these bands, we were happily surprised by how much we liked their music, though it doesn't exactly fit what we ordinarily listen to. We liked both bands sense of musicianship and the fact that the guitar player from Civil Twilight often played the guitar with a bow was a pretty cool effect we enjoyed and haven't seen much. We had a good time at the show and we walked away from the evening interested in more music that we probably wouldn't have been exposed to if not for seeing live shows such as this one. That's the thing we love to do and part of our mission; although most people only hear about the shows coming to Indy at the State Fair or larger venues such as Conseco, Indy is actually a great place to discover up and coming musicians and has some pretty stellar smaller venues and that's where we like to go.

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Sunday, July 18, 2010 Posted in | , , , | 0 Comments »

7.14.2010 - Greg Laswell, Cary Brothers, Harper Blynn, Isaac Russel @ Radio Radio

The crowd at Radio Radio for Greg Laswell's show was definitely a younger one.  Most people there were probably familiar with Laswell's song "Take Everything" from his newest album "Take a Bow" on 92.3 WTTS in Indy.  That was as familiar as we were with his music when we walked in on Wednesday night, and we hadn't heard anything about the other artists.  The crowd wasn't huge by any means, but there was a fairly good turnout for the show.
 
First up was un-billed artist Isaac Russel - in true singer/songwriter style - just a man and his guitar.  He did a short 4 song set, including a song written after his girlfriend cheated on him with his best friend, and a very touching song about losing his mom to breast cancer.  He's a great artist who seems like he's just getting started, and I hope we get to see him again in the future.

Harper Blynn, a four-piece band from New York took the stage next, and proceeded to blow us away with their catchy riffs and intelligent lyrics.  Possibly the most impressive point of their performance was a cover of Beyonce's "Halo", which was 100x better than the original version.  Their sound was similar to Death Cab, and they had lots of energy onstage.  Even a broken guitar halfway through their set couldn't stop their freight train of intensity.  Some other highlights of their set were:
  • Can't Do It For You
  • 25 Years
  • Lonliest Generation
  • This Is It
Cary Brothers then took the stage, with Harper Blynn as the backing band.  In fact, Harper Blynn was on stage for basically the full night, as they were the band for Greg Laswell also.  Brothers mentioned that people always say his songs are on the sad side, and he's right - they seem to all have a bit of a melancholy sound even when they are happy songs.  He told a pretty funny story about a song he wrote for a former girlfriend for Valentine's Day (not because he's romantic, but because he was broke).  They ended up breaking up, and she always thought he was taking stabs at her in the song.  Somehow she ended up finally understanding that it was just a sweet love song, and emailed him to tell him how sweet it was - so to spite her, he put the song on an album.  Some other highlights from his set:
  • The Glass Parade
  • Under Control
  • Ghost Town
  • Ride
  • A Cover of "Everybody Wants to Rule the World"
And last but not least, it was time for Greg Laswell to follow up after some fantastic opening acts.  He spent time playing both guitar and keyboard while singing, and the crowd was really into his set.  He had a great story about a tour he was on - staying in the same room (seperate beds) with a guy he was touring with, he found the movie "My Sister's Keeper" on television and was watching while the other guy slept.  (Laswell has a song in the movie, and he'd never seen it before).  So, long story short, he said whoever made that movie hates people and wants to make them sad...so his tour-mate wakes up, looks at the tv and asks what he's watching, he tells him, and then the guy says "Dude, are you crying?"...and he was. 

Anyway, Laswell also thanked 92.3 for playing "Take Everything", played a stripped-down, joyless cover of "Girls Just Wanna Have Fun", and a little of The Crash Test Dummies "Mmm Mmm Mmm Mmm".  It was a great show - great music from some great artists and some hilarious commentary thrown in as icing on the cake.  Check out all of these artists - you won't regret it.

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7.7.2010 - Santana and Steve Winwood @ Verizon Wireless

How special - our very first review of an arena show!  I kid - I know that we, like some of you, typically prefer to enjoy live music in a more intimate setting - you know, where you can afford to sit close enough to see that the artist indeed has facial features!  Typically, Santana and Steve Winwood wouldn't have been on our must-see list of live music, but when I saw that lawn tickets were Ticketmaster's $10 ticket of the day a couple of weeks ago, I mentioned this to my mom who is a big fan of both artists, and offered to buy our tickets if we'd go with her.  Long story short, she ended up having to back out, but we still went and enjoyed ourselves anyway.

When we arrived at Verizon, there were signs of the current downturn in the live music industry everywhere.  You could procure pavillion upgrade seats for as low as $10 per person (I bet there were a lot of unhappy people who paid full price for those tickets!), there were LiveNation reps positioned throughout the venue selling lawn tickets for between $10 and $25 for upcoming shows, and Verizon was seriously far from packed.  Nearly an entire section of pavillion seats remained empty for the entire show.  And I've never attended an event there where you could spread out on the lawn and not be encroached upon by people.  It really is sad that the economy is such that artists have trouble selling out events, but can also be a bonus for concert-goers who end up getting really great deals out of the hardship.  We elected to stick with lawn seating, and spread out at the very front of one of the lawn sections.


The crowd at this show was different from what we've been used to recently.  As you (hopefully) already know from reading our other reviews, we typically stick to smaller venues and more "emerging" or "indie" artists.  Seeing as both Santana and Steve Winwood have been rocking for decades now, the crowd was quite a bit more representative of the middle-age-and-beyond music lovers.  Also quite a few families, and you can't forget the crazy drunk people dancing/stumbling around.

Steve Winwood played for about a half an hour, and played some of his old hits like "Higher Love" and "Gimme Some Lovin".  He can still rock after all these years.  Split his time between playing guitar and keyboard.  There wasn't a whole lot of excitement in the crowd for him until he played the hits that everyone knew the words to.  Mel and I were discussing how his music spans generations - if only because everyone hears his songs on the easy listening station at the dentist's office.  But really, I enjoyed his music and love that he still performs live.

Santana and his huge band then took the stage.  There were two lead singers, bongos, drums, keyboard, guitar, etc.  Carlos Santana plays a mean guitar, but that's not news to anyone I'm sure.  He played some of his big hits, like "Maria, Maria", "Smooth", and a cover of Cream's "Sunshine of Your Love".  We were kinda prepared to be blown away by Santana, but ended up feeling that it was a good show, just not fantastic.  Most of the songs were drug out for a lot longer than necessary for some reason.

Then there were Carlos' interesting comments about how Obama is doing a crappy job because he hasn't brought our troops home, how marijuana should be legalized and we should use the money for schools and education, how when the women are happy everyone is happy, and a dissertation on how everyone is made up of only two things - "light and love".  It didn't really seem to go with the flow of the evening, seemed more like a "brain dump" of political leanings.

All in all, a decent night.  And we left a bit early to try to beat traffic - which is managed much better now than it was the last time I was at Verizon about 6 years ago when it took 4 hours to get out of the parking lot after a John Mellencamp show.  So I have better feelings about hitting up the other shows we have coming up at Verizon.

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Saturday, July 10, 2010 Posted in | , , , | 0 Comments »

6.15.2010 - Ingrid Michaelson @ The Vogue

We were pretty excited about getting to see Ingrid at the Vogue as our first show back from Bonnaroo. It was because of Bonnaroo that we were convinced to see the show in the first place...we were captivated by how funny and personable she was onstage.


Upon arriving, we headed upstairs to find some seats overlooking the stage and crowd scene below. There was a pretty good crowd, considering the rain and general gloominess of the day.

The show begins with opener, Matt Morris. His new album, When Everything Breaks Open, is a pretty new release and one of the champion projects from the Tennman label, which was founded by Justin Timberlake. You may never have guessed it, but Matt and Justin were cast-mates on The All New Mickey Mouse Club...you know, that show that was a breeding ground for all those TRL superstars from the late 90's. Anyways, Morris is a pretty talented songwriter and has helped pen songs like "Miss Independent" for Kelly Clarkson, and "(Another Song) All Over Again" for Timberlake's Futuresex/Lovesounds album. And that fact that he is a songwriter is what stood out in his performance this evening at the Vogue. He simply brought a couple of other band guys to play with him and opened up the show with 2 very funk-soul sounding songs, then launched into the indie/songwriter mode. He played "In This House," "Money," and "Live Forever," which is the first single from his new album.

I'm going to be honest, I wasn't entirely impressed by Morris. Don't get me wrong...he wasn't bad, but I think he is just getting started at the indie singer-songwriter thing. I get the fact that he is a talented songwriter, but many people will tell you that going from songwriter to songwriter and performer is a whole new ball game. I could appreciate that Morris is a supporting act and though I'm sure he has a plethora of resources that could gain him instant fame, he seems to want to go through the struggle and work of an entirely brand new act. That is commendable. I think Morris has some more growing and exploration to do as far as finding his sound and the songs that work for him, and I think getting to see that exploration take place first hand is what will draw people to him and his music. I, for one, am interested in seeing what Morris comes up with in the future.

Not too long after Morris, Ingrid Michaelson hits the stage and the crowd had such a warm response to her. She opened up with the first track from her newest album, a song called "Soldier". First thing that I noticed was right from the start, Ingrid and her band are sounding amazing, with the harmony sounding perfect, which gives me chills from the get go. And with perfect timing, Ingrid and the band insert lyrics from "Poker Face" into the harmony. It's an excellent start to the show. And of course, it doesn't take long for Ingrid to show off her comedic skills. She told the crowd how she was all bummed out because it was raining and she didn't think anyone would come to the show. She continued with an excellent set list that included "Parachute", "The Hat", in which Ingrid had the whole crowd doing choreography. She told some great stories, one in particular about how she has been asked to speak at a graduation ceremony and the story she was going to tell about how she threw water on some dumb boys at at stoplight that ultimately had no moral. Also, as she was interacting with the crowd, she made up a song on the spot about someone in the crowd sitting on a vibrating speaker named Jean and the song turned into "Kinky Jean"...and all I could think was "God, I hope someone is taping this and putting it on YouTube tomorrow."

By the way, we have to give a shout out to the couple sitting next to us at the show...it's so nice to meet people at shows who are genuinely interested in music and it was great to meet you.

Ingrid continued to entertain us musically and comedically, and did more songs such as a cover of "Creep." One of our favorite moments was when the band sang a song called "Let's Get Rich" and all the members of the band took turn singing parts into the microphone. The song is so incredibly sweet. In the middle of the song, as Ingrid's guitar player, Bess Rogers, was singing, we find out that she is going to marry Chris Kuffner, the bass player. They shared a little smooch onstage and it was just the cutest moment of the show.

The moment we were looking forward to the most was when Ingrid did a cover of "Toxic," by Britney Spears, who she introduced as an up and coming singer songwriter. The cover included choreography, as well. Ingrid also included both versions of her song "The Way I Am"...one was the album version and the other was the full blown rock and roll version...either way, the song is great.

All in all, I have to say that I've felt lukewarm about Ingrid's music when I'm just hanging out and listening to it, but upon seeing her live, I really appreciate her. She is not the fabulous diva girl that so many artists feel they have to be. Instead, she is genuine, humble, morose at times, and optimistic at others...and we love all of those because it is a reflection that is not so different from our own. We look forward to seeing her again sometime soon and listening to her music with new insight.

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